[{"meta":{"title":"PsychOdyssey","date":"2023-03-23","subtitle":"What colour is the sky in your world?","titleBgColor":"#9F19A8","titleColor":"#00ffc7"},"path":"/blog/psychodyssey","content":{"html":"

Over the last few weeks, I’ve been glued to one of the best documentary series I’ve watched in ages - PsychOdyssey. It’s a glimpse inside the videogame studio Double Fine, as they work on on a new sequel to their beloved cult classic, Psychonauts.

Previously, on PsychOdyssey

First, some background:

Double Fine are known for being an extremely creative studio. Founded by Tim Schafer, who previously worked at Lucasarts. He worked on some popular games like Secret of Monkey Island, Day of the Tentacle, Grim Fandango, and Full Throttle. While working on Full Throttle, a game about a biker gang, he wanted to have an interactive peyote trip. Lucasarts objected, so he quit and founded his own studio.

Double Fine’s first game, Psychonauts, was an action platformer in the lineage of Mario 64. You play as Raz, a boy who has ran away from his circus acrobat family to join a summer camp for children with psychic abilities. He hopes one day to join the titular Psychonauts - a psychic spy agency.

Psychonauts differs from other platformers by its level setup. In most games of that genre, the levels pull from common archetypes like ice, lava, jungle, etc. In Psychonauts, you enter people’s minds and exist in a space representing their mental state, defeating enemies and completing tasks centred around their particular condition.

It’s most famous level is The Milkman Conspiracy. Set inside the brain of Boyd, a Milkman obsessed with conspiracies, you explore a 1950s American suburban street populated with shady G-men watching you. The G-men pretend to be housewives and construction workers and speak in nonsense while the street itself twists within 3d space back onto itself, representing the twisted logic that Boyd sees in the world around him.

The development was difficult for the team, and although it wasn’t a commercial success, it received a lot of critical acclaim. Over the years, more and more people have played Psychonauts and loved it so much, that even the existence of a sequel was hotly anticipated by many.

Office culture

At 21 hours long and spread across 31 episodes, on the face of it, it’s a huge commitment to watch this thing. It absolutely flies by and I’d recommend it to anyone interested in creative work. It’s a fascinating insight into work that is software development in the traditional sense, but coming at it from a different angle.

Like all workplaces, personalities can get in the way and people clash, but nobody is exactly a villain or a hero. People come and go during the 6 years of filming. Some departures are amicable, while others are not. There’s an old and new guard, and some people completely new to the industry join during the development.

Lots of the old guard have worked together at Double Fine for nearly 20 years, and they have some amount of shared culture and bonding from the time spent together. You see them try to adapt to new people and new ways of working, while the new people try to adapt to the existing culture.

Psychonauts 2 is a much bigger game than anything that Double Fine have made before. The creative nature increases the scope of work involved as many characters have many different artistic depictions matching the artistic style within each level. You see this challenge really hit the team hard. There’s some amazing story arcs as they struggle to handle the workload, deadlines, and finances.

Making a good game

It’s great to see such an in-depth look within one of the most creative teams in the industry working on one of the most creative games in recent memory. After having played Psychonauts 1 and 2, watching this is amazing. You see how a passing comment or a joke turned into an idea, which turned into a prototype, which got the whole team thinking, and then they build something good, fun, heartfelt, or just plain weird.

Not everything is a fully formed idea right at the start, and you get to see the process that forms the finished product.

One level involves reuniting a brain in a jar with a body, who then gets overwhelmed with their new senses. You enter the brain, which eventually manifests a trippy music festival camp ground in the style of Yellow Submarine. It started out completely differently, and seeing the iterations of that level and how it came to be is one of my favourite bits.

The C word

Psychonauts 2 eventually came out in August 2021, so it’s probably not a surprise that you see the impacts of the Coronavirus pandemic in the documentary, alongside all the other shit the world threw at us between March 2020 and then.

Finishing the documentary left me missing life before 2020.

I’m now working from home 100% of the time, and if I could pick my perfect setup, I’d work somewhere hybrid. I miss the comradery of office life. The lunches, the jokes, and the drinks after work. I like my own space and my own setup, but I also like hanging out with other people.

The Journey They’ve Been On

I loved Psychonauts 1 and 2. I love videogame documentaries. I love documentaries. I love learning about how creative people work. I love absolutely everything about this series.

Even though I have no interest in sports, I loved Welcome to Wrexham. Although it is technically a sports documentary, it’s also not about sports. It’s about working class people and investors making a business gamble.

Similarly, PsychOdyssey is a videogame documentary, but it’s about how creative people build something so creative. It’s about how close businesses like Double Fine can come to running out of money. It’s about how working relationships can blossom and break with equal ferocity. It’s about art.

Give it a go. I think you might like it

\n","css":{"code":"","map":null},"head":""}},{"meta":{"title":"Second chances","date":"2023-03-11","subtitle":"let's give it another go","titleBgColor":"#d1d1d1","titleColor":"#000"},"path":"/blog/second-chances","content":{"html":"

If you ever meet me, I could happily talk for hours on end about TV, films, and videogames. One thing I love about all those things is how there are basically no whole original new ideas. Everything is a remix, and then, every so often, something comes along so completely unlike everything else before it that it reinvents the genre - or even the medium.

Recently, I’ve experienced a TV show, a book, and a videogame, for the second time. The first time round, each of them didn’t grab me at all, but after giving them another go I’m loving each of them.

Curb your Enthusiasm

I’m a massive Seinfeld fan. When my partner and I started seeing each other, it was the show we put on after coming back from the pub. We ended up watching all of it together - the second time for both of us. I even went on the Seinfeld tour with the real Kenny Kramer. If you’re a Seinfeld fan, you might remember that this was even parodied in an episode.

For all my love of Seinfeld, I hadn’t watched Curb your Enthusiasm until a few years ago. The first few episodes were so cringe inducing that I gave up with it almost immediately.

At the end of last year, I gave it another go. I’m midway through Season 9 now and absolutely loving it. I can’t believe it took me this long to watch it and enjoy it, but I’m glad I did.

Dune

One of the biggest cultural gaps in my life, is being a keen reader. I’ve just never found that much of the time or attention span comes naturally to me. I’m trying to change that, so I’ve finished a few books that have taken me years to read and bought a few that I’ve always wanted to read. I did really enjoy audiobooks, and Dune was one of my favourites, so I’ve picked it up and slowly working my way through it.

As everyone comes back to the indie web and away from social media, an article I read a while ago really stuck with me. The easiest way to avoid doomscrolling is to have a book with you for those moments of boredom. I’m hoping to stick with this idea.

Elden Ring

If you’re not a gamer, you might not know of a company called FromSoftware. They’ve reached a level of success over the last 10-15 years for making brutally hard games - Dark Souls, Demon Souls, Bloodbourne, and most recently, Elden Ring. They’ve been so critically well recieved that they’ve even became their own genre - Soulslike.

I tried Elden Ring when it came out and it didn’t click with me at all. I knew it would be hard, but I didn’t realise it would be cryptically hard. With all of the awards at the end of the year, I gave it another try. I asked some friends for help understanding the gameplay systems systems. After their help and some extra research I’ve ended up loving it. What a fantastic game.

Second time’s the charm

Ever had something not click with you when you thought it should, why not give it another go?

$\"After$

Me, after defeating Margit, The Fell Omen

","css":{"code":"","map":null},"head":""}},{"meta":{"title":"Monthnotes: February 2023","date":"2023-03-01","subtitle":"better bread than dead","titleBgColor":"#9c6b33","titleColor":"#fff"},"path":"/blog/monthnotes-february-2023","content":{"html":"

My partner had surgery had the end of January, so her and I have been taking it easy.

Bread and beer

I had a bread making class right at the start of the month at ProCook in Tottenham Court Road. Like everyone, I tried making sourdough bread during a lockdown. The crust came out perfect, but inside wasn’t cooked. I didn’t want to make a fresh loaf of bread every day so there wasn’t much point in trying keep a starter going. We made 4 different types of bread, so this weekend I tried making bread again and it came out fantastically. Expect more bread chat in the future.

Straight after the bread class I met some ex-Deliveroo folks for drinks at one of our old haunts. It was nice to catch up with people and see familiar faces. I worked there for 5 years and some of those people I haven’t seen since they left, or when I left in 2021. I also highly recommend showing up to the pub with a rucksack full of freshly baked bread to share with people. You’ll be very popular.

Cabin fever

Now that I’m working from home 100% of the time, I’m starting to go a bit spare. Being at home so much over the last few weeks hasn’t helped much either. I’m trying to get out of the house and Walthamstow at least once during a weeknight and at the weekends too. It’s hard to work anywhere except my home office as the product I’m building at CastRooms needs a decent Internet connection for me to test video and audio. Doing a mic check in a café might not go down too well.

Our founder and I went to an electronic music conference called AVA at The Printworks. I loved the conversation with David Rudnick. He’s one of my favourite designers working right now so it was a nice surprise to see him on the lineup. I’ve been at The Printworks for some events and even a conference and work afterparty. It’s a cool place, but such a huge cavernous warehouse used for dancing crowds that a few people sat on deck chairs left the space extremely cold. We left early to go and sit outside a pub in the Sun to warm up, even with it being 4 degrees celsius outside.

Travels

We planned a holiday to Vietnam, but we’ve had to cancel it. Luckily we’re getting a full refund so we aren’t down anything to cancel it. Immediately after we were meant to get back I was flying to Portugal for Elixirconf EU. Instead, she’s going to fly to Lisbon and meet me. We’re going to spend a lazy week hanging out in Lisbon, which will be lovely.

Busy, busy

I’ve started a big burst of tech debt tackling in work, which I’ll be writing about soon. I’m getting to use SvelteKit and Elixir, because I get to decide what to use. It’s a learning experience for sure, but a fun one.

I want to write more here, which I failed on this month, but on advice of Andy Bell, I’m trying to find some process that works. Collecting ideas and setting aside time is my first attempt, so I’ll see how that goes.

Read

10 years of Meteor - a look back at 10 years of this interesting JS framework that had amazing ideas, but got eclipsed by so many of its’ peers.
An introduction to Class Warfare for the Software Engineer - many of my friends of been laid off and some of those are joining unions, so this article was a great read.
The Window Trick of Las Vegas Hotels - I’m an architecture and psychology nerd, so using one to trick the other is super interesting to me.

Watched

Welcome to Chippendales (Disney Plus) - I had no idea how much crime was involved in the story of a male stripping empire. A great watch, and listening to the podcast after it was fun too.
The Last of Us (NowTV) - It’s fantastic. Bella Ramsey is great.
The Gold (BBC) - The true story of the biggest robbery in the UK by the 80s. A fun watch of cops and robbers trying to outsmart each other.

Played

Lots more Elden Ring. I want to write up my experience when I finish the game.

","css":{"code":"","map":null},"head":""}},{"meta":{"title":"Monthnotes: January 2023","date":"2023-02-09","subtitle":"Wet Jan","titleBgColor":"#77ddd8","titleColor":"#000"},"path":"/blog/monthnotes-january-2023","content":{"html":"

Yeah, yeah. I realise I’m late.

New Year’s Eve

I played a gig on New Year’s Eve in the basement of an Italian restaurant in Stoke Newington. It’s been a while since I played in front of big crowd that included people that I didn’t know, which was pretty exciting.

Although it was a private party organised by friends, we could invite other sound people that we knew. The bit of London and the UK rave scene that I inhabit isn’t that large and people are pretty dedicated. It was a nice surprise to see a lot of familiar faces that I didn’t know were coming, including a few that don’t live in London.

You can listen back to the re-recording. Re-recorded only because when I listened back to it some of my mixing was dodgy. Playing at 3am on NYE will do that to you.

It made me realise how much I miss DJing. This year, I’m going to try and do more of it. I’ve already got two more gigs lined up at friends birthday’s.

Countryside

My partner had to go in for some surgery at the end of January, which necessitated self isolating for two weeks in advance. Before that, we went out to a little Airbnb near Thetford Forest with a hot tub which was great, until the hot tub broke on the 1st full day we were there. It was a little shepherd’s hut on a lake inhabited by a few ducks and a very aggro swan.

$\"A$ \n $\"Some$ \n $\"Our$ \n $\"The$ \n $\"Some$

Some photos from the trip

Misc

I got a new tattoo. It’s a skeleton at a rave. It’s not exactly how I imagined it, but I love it. It’s a fun design that mixes old styles with something new and weird. It’s meant to be two-partner. It’s on the back of my right leg and was super painful near the top, so I might wait a bit for the next one.

Watched

Glass Onion - like everyone else
Am I Being Unreasonable? - I love Taskmaster and Daisy Mae Cooper was new to me when she was on it. This is a comedy, but with some hard hitting dramatic stuff and a few twists and turns.
10 dollar death trip - a brutal documentary about the fentanyl crisis in Vancouver
White Lotus S2 - Hard to compare it to the first season, but it stands almost as well by itself. The Sopranos was one of our lockdown watches, so it was nice to see Michael Imperioli show up in something else.
The Batman - a decent take on Batman’s more detective side and I enjoyed it way more than any of the Marvel stuff that I’ve watched recently.
Banshees of Inisherrin - Absolutely incredible. The dialogue is pitch perfect for the way Irish people talk to each other.

I’m trying to log all the films I watch on Letterboxd. Follow me if you’re on there.

Read

After buying the book in September, I finally made an effort to start reading Dune. I listened to the audiobook years ago, but I wanted to try and finish the book before part 2 of the film comes out. There’s some scenes I remember in the book that weren’t in the film that focus in on the scarcity of water, but the film gets that point across in other ways.
The disappearance of the ashtray is an article about a class of object that took on an artistic look, but is no longer present in modern life. When I was at the British Library in Euston for the first time I saw wall of shelves separated by vertical panels. Only when I walked past them a second time did I realise they were phone booths. I find remnants of previous human behaviour like that really interesting.

Played

After giving Elden Ring a second chance I’m really enjoying it. I asked some friends for advice on getting good and picked up a new character that I made previously. It turns out when you understand the mechanics for a game that complex it actually becomes fun.

","css":{"code":"","map":null},"head":""}},{"meta":{"title":"Elephanti Sunt Personae","date":"2023-01-31","subtitle":"Pink Elephants","titleBgColor":"#db259e","titleColor":"#000"},"path":"/blog/pink-elephants","content":{"html":"

After moving to Walthamstow, I kept finding status of elephants all over the area. With no obvious clues to the reason or origin, it became a real life Easter Egg in my life. I resigned myself to the fact that I would never know why or how Pink Elephants came to reside in my borough.

$\"Two$ \n $\"An$

Statues on Orford Road and Lea Bridge Road

Eventually, I found a mural on one of the streets.

$\"A$

The mysterious Elephant mural

I still live in Walthamstow, but now nowhere near these statues. After I moved house, I eventually forgot about the Elephants. Until just recently when I cycled past the mural.

Elephanti Sunt Personae led me to We Are People. A guerilla art campaign to show that the consciousness of an Elephant and other species can be considered comparable.

Elephants are people, one day this will be thought self evident to all

","css":{"code":"","map":null},"head":""}},{"meta":{"title":"The future of transport","date":"2023-01-21","subtitle":"Two wheels good, four wheels bad","titleBgColor":"#00d","titleColor":"#fff"},"path":"/blog/future-of-transport","content":{"html":"

Lately, I’ve been thinking a lot about the future of transport.

In July last year, my car overheated and had to be scrapped. I mostly used it for the weekly shop. But a few times a year I’d drive a few hundred miles around the country for music festivals, weekends away, and visiting friends. After that July, I had no more big drives planned, so I held off immediately buying a replacement and decided to wait and see if I could survive without.

Since then, I’ve adapted to living without a car. I work from home nearly 100% of the time, so I don’t have a commute. I’m also lucky enough to live in London and within Waltham Forest, which was part of the Mini-Holland programme. Waltham Forest is a nice place for cycling, with a lot of bike lanes and low traffic neighbourhoods. I’ll cycle to meet friends, run errands, go shopping, and go to the pub.

Cargo

My house is on the North side of Walthamstow. The canals and the towpaths run alongside us North to South, which also runs right underneath the North Circular, which itself is followed by industrial estates and retail parks.

When we were doing a lot of DIY to the house in November, Lila ran out of ceiling paint, so I hopped on my bike with my takeaway tray and cycled the 10 minutes over to B&Q. Coming back with 10 litres of white matt paint was a little wobbly, but doing it a second time would be fine.

$\"My$

My first test of no car club

I love this bike. I’ve owned it for seven years. It’s got a hub gear, which means I can change the gear while stationary. No downshifting when coming up to traffic lights and I can zip off when the light goes green. Adding the basket 18 months ago made me love it even more.

Distance

Carrying capacity alone, does not a transport mode make. I love cycling, but sometimes I don’t want to arrive somewhere as a sweaty mess and need to cool down or have a shower. When I worked in central London I cycled in about half the time. The first place I lived was only a 20 minute cycle to the office but when I moved to Walthamstow, it became closer to 50 minutes. Showers and lockers in the office made it a good workout. Free exercise without paying for the commute.

Recently a friend decided to sell his e-bike, so I jumped on the offer. £500 is a steal for an e-bike. Cycling all over with little effort is nice, but if I was cycling longer distances regularly I’d prefer the exercise. The battery is good, and it’s fun to glide along. The furthest I’ve cycled is probably 18km with about 1/3 of the battery remaining.

Longer journeys

When my car had to be scrapped, we were on our way to spend the weekend with friends in Devon. Rather than cancel, we rented a little Seat Ibiza from a HiyaCar and didn’t let our car trouble ruin a good weekend.

Just last weekend, we rented another car through HiyaCar to drive out to a little Airbnb about 2 hours from London. Along the way, we discussed the pros and cons of becoming car owners again. Once we’d talked it through and crunched some numbers, we decided to stick with our setup for now. We don’t do long car journeys that often to warrant spending a few thousand on a car, with another thousand for insurance on top.

Two wheels good, four wheels bad

We went to Rotterdam at the start of the Summer on the Eurostar. Rotterdam is like a nicer Amsterdam. We cycled out of the city and through the Dutch countryside, full of amazement at the bike-first culture that the Dutch have. Other cities are taking notice, like Paris.

If you want to help the environment, one of the best ways you can do that is to get rid of your car. When we had ours, we would drive short distances that we could’ve cycled.

Maybe bikes, and by extension e-bikes, are the real transport of the future. Combined with a solid train network, you can go nearly anywhere. Not flying cars, self driving cars, cars in enclosed tunnels or cars in a vacuum tube.

","css":{"code":"","map":null},"head":""}},{"meta":{"title":"Monthnotes: December 2022","date":"2022-12-24","subtitle":"Beer and cheese","titleBgColor":"#00ff00","titleColor":"#000"},"path":"/blog/monthnotes-december-2022","content":{"html":"

We finished off a load of DIY just in time for Christmas. After owning the house for a year, it’s nice to have least done half of it. Our house is starting to feel like ours.
At Castrooms, we had a few test parties culminating in a set from a guy who regularly plays at Notting Hill Carnival. I managed to get a pretty difficult feature working just in time. It was a great way to end the year.
I’ve got more and more into RSS feeds again. I bought Reeder on macOS and iOS which is really nice, but it has a few little differences from NetNewsWire which I’m still getting used to. I’ve enjoyed coming back to reading blogs. It’s a better way to ~doom~scroll when I’m bored. I also added RSS to this blog, if that’s how you roll.
I wrapped up work on the 16th and had grand plans of making great use of my time. Instead, I mostly played Destiny 2 and Vampire Survivors.
I did however, add albums to Lineup.fun, which has already came in handy for end of year lists.

Here’s some things I’ve enjoyed

The aforementioned Vampire Survivors. It combines the great element of idle games like Universal Paperclips which Bullet Hells
Christmas specials everywhere, but Behind The Bastard’s Keep The Yultide Gay chronicles pre-Christian Christmas: Part 1 and 2

","css":{"code":"","map":null},"head":""}},{"meta":{"title":"30 year loop","date":"2022-12-03","subtitle":"The 90's are back","titleBgColor":"#1DA5BE"},"path":"/blog/30-year-loop","content":{"html":"

Many years ago, I read this incredible article about how pop culture exists in 30 year loops. It’s why Back to the Future jumps from 1985 to 1955. There’s plenty of examples within that article and now that you know about it, you’ll see it everywhere.

Now that we’re firmly in the 20s, we can see a big resurgance of pop culture from the late 80s and early 90s. Remakes, revists and spin-offs have came back around again - Dune, Scream, Top Gun, Jurassic Park, Toy Story and Predator to name a few.

When I read that article and started to notice the 30 year cycle in media, I also noticed that a lot of the games that I played around that time fully embraced the 80s 8 bit retro era. Celeste, Hyper Light Drifter and Return of The Obra Dinn were 3 of the biggest, and all recall an older era and the limitations emposed by technology.

What the article put forward, made me think that eventually, we’d begin to see newer games referencing the games of the mid to late 90s. Until recently, I hadn’t seen much evidence of that assumption. Only in the last few weeks did I start playing 2 new games that have distilled the games of that era.

Prodeus

One of the first games I ever played, was DOOM on an uncle’s PS1. I remember barely any of it, other than the hard as nails difficulty, incomprehensible story, and the brutal guns.

Prodeus takes all its inspiration from those early DOOM games. The guns, graphics, and gore, are all throwbacks to that style of first person shooter from the 90s.

\n\n

Signalis

This one is a bit different for me, as it’s channeling the early survival horror genre, which I was never into. Resident Evil and Silent Hill are what I’ve seen it compared to. I never had the patience for those games, but I loved this one. I’d also compare it to Metal Gear Solid for a lot of reasons.

It’s full of CRT scan lines, limited inventory, save points instead of checkpoints and some very cryptic puzzles.

\n\n

The CD case

Playing Signalis reminded me of one of my favourite puzzles in Metal Gear Solid - you obtain a disc before need to contact a character on your radio. You’re told “the frequency is on the back of the CD case”. I have no idea how long I spent trying to look at the disc in my inventory, which you actually can’t do. Eventually, I realised the the frequency was in a screenshot on the back of the physical game case. Searching for this online still has plenty of people trying to figure it out. I think this must be one of the most incredible examples breaking the fourth wall and one that might only be possible in the medium of videogames.

","css":{"code":"","map":null},"head":""}},{"meta":{"title":"Once more, with feeling","date":"2022-11-11","subtitle":"Let's give this another go","titleBgColor":"#dd00ee"},"path":"/blog/once-more-with-feeling","content":{"html":"

Yet again, here I am, attempting to blog regularly.

In previous years, I had a blog that involved designing each post. A carefully hand crafted framework and toolchain allowed me to create a post with individual colours, layout, and art direction. Sometimes the design I had in my head wouldn’t translate to the screen easily, so I’d spend many hours over many days, tinkering away. Either getting it right, or figuring out something else that I liked.

I also made the mistake of thinking that every post had to be a think piece. That I had to have some grand idea worth exploring.

I’ve recently tried to get back into RSS feeds. Familiar names and URLs keep resurfacing from 10ish years ago. One site I came across was Chris Coyier’s, and one of the first posts I read from him was There is no bar, which has this thought provoking question:

Why do people have a hard time with that publish button, even on ready-to-rock personal sites?

For me, the hard time of publishing was waiting for a deep thought and designing something that I was happy with - they kind of went hand in hand. A great article deserved a great design. Without one, I couldn’t let the other see the light of day.

A new adventure

Since April, I’ve been working on a startup in the music streaming space called Castrooms. It’s a new and exciting thing to be the ~~only~~ best engineer at the company. One of my colleagues, Will, has been writing for years, and is increasingly putting out thoughts and questions on Twitter. We both spent formative parts of our careers at the Government Digital Service, where we constantly heard Make things open: it makes them better.

Not many people in our field get to do what I’m doing - working on something from the beginning, that I’m personally interested in. Maybe I should write about it?

It’s also technically hard. We’re combining real time audio and video from many sources and using multiple third party services together. I’m writing some complex and horrific code. But that’s all OK because it’s a startup, so we’re still figuring things out and prototyping. Maybe I could write about that?

Shit’s on fire yo

Much of the modern web is a walled garden. When I last tried to start blogging, I kicked it off with a post titled “Let’s make mad shit”. I didn’t write as much as I wanted to after that, but I did make a few mad shit things, like Lineup.fun. I still think we need more art galleries than malls on the web. And for me, I want some way to express myself online that can’t be ruined by a serially divorced dad obsessed with imaginary trains.

Once more, unto the breach

So, yet again, I’m saying that I’m going to blog more. I’m cutting myself some slack this time round. Everything I write doesn’t have to be some well researched and deep article. It can just be something I want to share. This doesn’t have to be some world changing website. I can just have fun with it.

My little corner of the Internet is just that - mine.

","css":{"code":"","map":null},"head":""}},{"meta":{"title":"Let's make mad shit","date":"2021-01-03","subtitle":"Fill this town with nonsense","titleBgColor":"#6234eb"},"path":"/blog/lets-make-mad-shit","content":{"html":"

2020 has shown us that The Internet can be utter shit. It’s awful. It’s full of depressing news, racism and people without medical degrees thinking their opinion is as valid as a Doctor.

But 2020 has also shown us that the Internet can be amazing. It kept us together and in touch when we couldn’t do it in real life. It allowed for so much creativity, interaction and communication in this fucking terrible year. So many people out there are making cool things but we don’t see it because we get bogged down hating all of the terrible shit.

Remember when people had blogs? And they wrote things? Everyone had their little corner of The Internet. Now we write them in 35 part Twitter threads. Or even worse, Medium articles. You want me to make an account on Medium just so I can read more than 3 articles a month? Oh and if you’re trying to browse them on mobile, I hope you have an iPhone 12 Pro Max because otherwise you’ll not be seeing the article when the page loads.

Both of those are terrible ways for us to create and share things.

Even with all of that stuff making the Internet worse, people are still making fun and cool things on The Internet.

Here are a few things I enjoyed in 2020:

Poolside - ultra vibey website and app that brings a pool party to your internet communication device.
JavaScript30 from WesBos - I’m pretty good with JavaScript but in an effort to understand it more deeply, I did this free course at the start of Summer. It took me a bit more than the 30 days, but I found it really enjoyable beginning my day with some coding and Wes’ cheesy jokes.
Jon’s experiments with three.js shaders.
Jonty’s camjam - watch a feed from a selection of random TFL CCTV cameras.
govbins - I helped Harry rebuild govbins this year, but even with my obvious bias I’ve enjoyed the abusurdity of people taking photos of wheelie bins.
it is what it is - an injoke taken to an extreme but then used to raise awareness about systemic racism
Sketch’s article about native being better - regardless of weather or not you agree with their point, you have to agree that it looks absolutely gorgeous.
Clubhouse - drop in audio chat that replaced office shit chatting for me and kept me slightly more sane whilst working from home.
Ogmios’ School of Zen Motoring - drives through North East London with a soothing narration.
I Thought About That A Lot - a series of essays which includes a really touching story about disposing of a body and thoughts on Caroline Quentin’s career.
Many Twitch DJ streams from my friends, with a simultaneous Zoom call to chat and see familiar faces.

A while ago I’d decided to start blogging again in 2021, but I didn’t really know what to write about first. Before my thoughts started to coalesce, I read this great blog post from Simon Collinson and suddenly it all made sense to me.

He talks about two things I want to call out here:

Admittedly, most company or client work tackles real issues for real people; it’s rarely a sandbox for us to climb into and make mad shit.

He’s absolutely right on this point. Even as someone doing more development than design, I have ideas of fun things to build or fun ways to build them that I just don’t get to do. Why don’t I do that? I should do that!

And this:

…just because GOV.UK does an excellent job of helping you pay your car tax doesn’t mean your own playground should look like it’s been built with a government design system.

Although we should make sure our own spaces work for everyone we think will use them, if you want to do something weird with your own site, go ahead! Why not? Nobody is going to tell you it impacted conversion or a client didn’t like it.

Like most people in 2020 I also watched The Social Dilemma, though I watched it later than most on 1st January 2021. Something stuck out to me near the end, when Bailey Richardson described The Internet now as being like a mall and that she remembered when The Internet was full of creativity.

I want more art galleries and less malls.

We used to have fun on the Internet.

We used to make mad shit.

I’m going to do that again in 2021.

","css":{"code":"","map":null},"head":""}}]

I'm a creative web developer who builds fun things like Lineup.fun and Shorts Weather and I work at CastRooms.

PsychOdyssey

What colour is the sky in your world?

Second chances

let's give it another go

Monthnotes: February 2023

better bread than dead

More →